Re: Unused material of Desplat?
PostPosted: Tue Oct 14, 2008 4:45 pm
I'm sure there are unreleased portions of the score out there, but the question is how much of it is recorded. I don't quite remember exactly, but I think the recording of the score took place quite late in the game, so it's entirely possible that some of the music written for the original cut just wasn't played.
As for another cd with more of the music, the problem with that is the re-use fees would probably be far too high for that ever to be profitable. If the film had been as big as Lord of the Rings they might've released all the music, but well,
we all know how things went.
The chances of us ever hearing some of it are pretty slim. Maybe if it was recorded a bootleg might one day surface. This happened quite often with the scores of Jerry Goldsmith. And if Desplat owns the rights to the music perhaps it'll be performed at a concert someday (like at the film festival in Ghent).
And of course if the director's cut would ever be released.
It's a shame as I'm sure Desplat would have written a spectacular ending of the score. And I want the sequels as well, he's already written a theme for Lee Scoresby (would it be entirely too awesome if it would feature a banjo?).
As for the suitability of his music within the confines of fantasy films and The Golden Compass in particular. He didn't write the score I imagined the film to have (but then he isn't John Adams), but I think his music fit very well with Weitz's version of the story (version seems better than vision).
Franz Conrad is right about the Lawrence of Arabia moments (the beginning of the Lord Asriel cue springs to mind), those tried too hard to evoke something that wasn't on screen. I do remember liking the trinkly piano filled cue when they sail into a fyord at some point in the film (yeah, I know, not very specific).
And if there was a problem maybe with the bear fight cue then it probably was that it seemed written for something with faster editing.
As for another cd with more of the music, the problem with that is the re-use fees would probably be far too high for that ever to be profitable. If the film had been as big as Lord of the Rings they might've released all the music, but well,
we all know how things went.
The chances of us ever hearing some of it are pretty slim. Maybe if it was recorded a bootleg might one day surface. This happened quite often with the scores of Jerry Goldsmith. And if Desplat owns the rights to the music perhaps it'll be performed at a concert someday (like at the film festival in Ghent).
And of course if the director's cut would ever be released.
It's a shame as I'm sure Desplat would have written a spectacular ending of the score. And I want the sequels as well, he's already written a theme for Lee Scoresby (would it be entirely too awesome if it would feature a banjo?).
As for the suitability of his music within the confines of fantasy films and The Golden Compass in particular. He didn't write the score I imagined the film to have (but then he isn't John Adams), but I think his music fit very well with Weitz's version of the story (version seems better than vision).
Franz Conrad is right about the Lawrence of Arabia moments (the beginning of the Lord Asriel cue springs to mind), those tried too hard to evoke something that wasn't on screen. I do remember liking the trinkly piano filled cue when they sail into a fyord at some point in the film (yeah, I know, not very specific).
And if there was a problem maybe with the bear fight cue then it probably was that it seemed written for something with faster editing.