EDIT - Now I have
For the benefit of any new readers there may be, this is the fourth story set among the worlds of the Blessèd sun, where refugee humanity has fled following the Ochre Plague that devastated life on Earth. It'd be cool if you read the other stories first, but otherwise:
Pole
The days out here are cold as hell and the nights are colder than that, with ice-black skies and a dry frost on the fenders of my 'mobile that sticks until well after the Blessèd sun has come up. But what the heck. It's home; at least that's how I've come to think of it.
I shouldn't complain. It's not so bad down here on the equator. Life is much harder - and colder - at the polar bases and you can wait as long as you like for daybreak. It never comes, in this world without seasons. All day long, all year round, the Blessèd sun hovers on the horizon, never rising or setting, and the only change is the direction of the shadows. They are long and dark and they swoop and dive over the low hills that surround the base. They can drive a man mad; that is known, that is a fact.
Why do men go there, then? Why are there not remote sensors at the poles communicating directly with the equatorial settlements via the comsats, the groundnet or even the Sweetheart herself? It is this, I think; that for some of us madness has a charm, a glamour, a seductive lilting voice that calls and cannot be resisted. Perhaps that's why the 'Down summoned us. Perhaps that's why we responded to her summons. Perhaps that's why I went north.
There were three of us madmen living at the North Polar Survey Establishment, as it was officially known. We called it the nuthatch. There were Jeremy, Janey and me, Jonathan. The Three Jays, and each of us daft as a jay, each of us with his or her tic, twitch or annoyance:
Jeremy - infrastructure: 'Jeremy, for heaven's sake would you just sit down for a moment? Stop pacing up and down like that. It's driving me round the twist!'
Janey - computation: 'Tapping, tapping, tapping. Fingers on glass, fingers on tabletops, fingers on teeth. If you don't stop it soon I'll cut your nails off all the way up to your hands!'
Jonathan - sensors: 'If I see you pick one more bogey out of your nose, sniff it, crunch it and eat it, so help me I'll walk out the door without a suit!'
Each of us finds a way to escape from the others when it all gets too much. The people who designed the base knew there'd be "personal interaction issues", as the official manual puts it, from time to time - or even all the time - so they made sure we got our own private spaces. Apart from our cabins, which are basically insulated boxes hanging off the sides of the main structure and contain little more than a bed, a screen - yes, we're all Monitors here - a wardrobe, a head and a separate suit locker, we each have our own individual working areas. Jeremy is mostly to be found among the pipes and wiring of the fusor, the air plant or the ponic garden downstairs. Janey sits with a pair of phones on, murmuring into a mike or tapping (tapping!) on a board and staring at a screen. She's most definitely on another planet when she's in coding mode and her withdrawal is both better than Jeremy's chattiness ('Hey, look at this interesting blockage I've just cleared!') and much spookier. You don't know who she's talking to, or which dimension she's inhabiting half the time.
We've made it a rule that, whatever needs doing (barring absolute emergencies), we always get together for a meal at the same time each day. We've chosen eighteen hundred hours, Horn time, as the baseline. The food isn't great - how could it be? - but there's usually something fresh from the ponics, like carrots, cress or lettuce, to go with the synthetic this, artificial that and man-made the other.
We talk about the day's work, the next day's work, the next week's work, the probability of a supervisor's visit, anything that's worrying us. We laugh and chat, Jeremy stays in one place, Janey doesn't tap her nails too much and I keep my fingers out of my nose. Then, once we've had some coffee - real Falls kaffe, freshly roasted and ground - we say goodnight and retire to our rooms. What we do there is strictly private. I don't know what Jeremy or Janey get up to, and I don't want to know. Likewise there's no reason why I should tell anyone what I do in the privacy of my cabin. But we all have screens and we can access the nets, view what we like, talk to whoever we like, without worrying about paying for bandwidth (which is quite limited here, so we're careful) or being watched. We're Monitors, with Monitor's rights and privileges, and we're grownups. We're trusted.
Like the others, my escape is part of my job. Sensors are, by their nature, remote so out of the three of us I have the most regularly used exosuit. After breakfast it's my routine to suit up and go outdoors more or less straight away. That way if there are any problems I'll find out about them sooner rather than later and I'll have the rest of the day to sort them out. Just as I said at the start, it's cold - dangerously cold - outside and so I have to take precautions. My feet, for example. They have to be kept warm, or I'll get frostbite. But if the soles of my boots are too warm - more than minus ten, say - they'll melt the ice underneath them and make it slippery, increasing the likelihood that I'll lose my footing and fall. So I have to keep the boots in the lock, put them on cold, turn on my heated socks and cycle out onto the surface as quickly as I can before they heat up too much.
That's the kind of survival trick you learn, and learn fast, up here.
There are literally hundreds of sensors for me to look after. Not all of them every day, of course and, apart from a quick once-over visual inspection and snow-clearing, I probably spend no more that a couple of seconds on each one. It's only when Janey's programs find something anomalous in her data that she asks me to go out and run a specific set of tests. Like, for example, if a thermometer returns unexpectedly high or low figures or one of the scopes apparently discovers a new star or planet. I'll check, and more than likely, I'll find a slightly loose or corroded connector or a speck of dust in an optical system. Of course, sometimes I don't and Janey does some more analysis and correlation on the results and perhaps she finds something new and significant. More often than not, though, it's a malfunction of some kind. After all, if the sensors were infallible there'd be no need for me to be here and I'd never have left home to go and work in Sally's Frozen North.
This morning I was making one of my regular tours of the perimeter; those low hills I mentioned before. Out of the shadows and up to the sunlit heights. That's an exaggeration by the way; the hills rise to no more than one or two hundred feet above ground level, but because the base is in a dip the climb to the top of the first one is higher than that. Once you've reached the top you can walk around the outside of the ridge. If it weren't so improbable given the way the celestial mechanics work around here, you'd think we were sitting in the middle of an ancient meteorite impact crater, like one of Glory's Ringlands.
At the top of each hill is a collection of instruments, housed in an environmental container. An absolute thermometer, a differential mass sensor, a radar pipe, a ranging laser, a 3D strain gauge, a wideband EM listener, bundled together with netcomms gear and a power pack. It's a pretty standard rig and it's replicated all around the base, not just on the hills, to form a sensor grid. Janey's computers can assemble the information from the sensors to build a wide-ranging picture of our environment.
One of the hills is special. It's special because its summit is more or less exactly at the North Pole. The obvious advantage of being situated here at the top of the world is that we get a tremendous view up and out of the orbital plane. The equally obvious disadvantage is that we get a rotten view parallel to it. So because it's so useful to be able to look in any direction you like at any time, both north and south bases are equipped with a powerful optical telescope and because it needs to be able to see over the horizon, it's mounted at the top of a tall mast. Yes, there's a pole at the Pole and if my distant ancestors had come from Eastern Europe (on Old Earth, of course) you'd have been able to say there was a Pole on the pole at the Pole.
As it was, it was only me, and I wasn't going to go up there today, only Janey called to say the scope's PTZ rack had got itself stuck again and could I just pop up the mast and free it, pretty please? Just pop up the mast? Right. The thing is, the mast is a kilometre tall; that's well over three thousand feet. It needs to be that high for the scope to get a decent view. There's a ladder - a set of handholds really - attached to the side, just in case someone might feel like taking a bit of exercise climbing up it. Hmmm. Fortunately, there are also three sets of bracing wires, one at three hundred metres, one at six hundred and fifty and one - thank heavens - attached to the instrument platform at the top. So, rather than getting all sweaty in my suit making that climb it's much easier for me to clip a shackle round a bracing wire, step back, and fire one of my suit's thrusters while I count to three. And zip! The world falls away at a very satisfying fifty feet a second, and if I time it right - and I generally do - my velocity has fallen to zero just as I reach the platform. It takes around three minutes and the view is terrific, especially if you're fond of looking down at low brown hills lightly dusted with solidified CO2.
This time I got to the top with a metre per second of excess speed and stopped with a bit of a jerk. Not serious, no damage done. Because I'm careful I clipped a fresh shackle to the equipment platform's rail before unclipping the first one from the wire. Why take needless risks? Then I took a look at the scope. There was nothing obviously wrong - the dome was unmarked and the optical access hatch was open, just as it would have been when Janey's systems started making observations a few hours earlier. I'd have to take a closer look, then.
It didn't take long to find the problem. There was nothing wrong with the rack, but the stepper motor that drove it had slipped out of alignment. It's a common fault. I rejigged it, spun the mount a couple of times and checked it for binding. That was fine, so I replaced the dome and the hatch and fastened them back down. I could have left it there, but I've learned that it's always worth looking for incipient faults while you're on the scene. You never know what you might find that'll save you a lot of hassle later on. So I set down next to the scope mount, jacked my AE-35 diagnostic box into it and routed the optical i/f to my face-ups.
Now then… Let's try something straightforward first. Demeter, say. I punched the name of Hally's second moon into the AE-35 and waited a moment while it did a couple of sums. Yes, it decided that Hally was visible, but not in transit. Now, where was Demeter? Sunside of Hally? Yes, so what were the necessary pan and tilt settings? Got that. Right, let's go; and with a dizzying swoop - perhaps I should have delayed turning on the face-ups - the scope swung silently around on its bearings and pointed itself towards the heart of the system. Once locked on, it zoomed in on the little world like a man diving to his death. And there it was - a half-moon, airless, speckled with craters, clear and sharp in the adaptive optics. I smiled. Demeter was a dull place and far too hot to live on, but a good preliminary test of the scope all the same.
Good. What next? Oh yes - let's try the atmosphere penetrators. Give me… give me a land near Glory's terminator. What's visible? Right, OK, Bright's the word. Oh, and turn the video feed off this time until you're there. Again the soundless rotation of the scope on its mount and suddenly my eyes were filled with blue. Dark blue below, pale blue above and a fuzzy area in between. That was Glory all right, but where was Bright? Damn, what about the adaptives and the penetrators? Would I have to strip the scope right down after all?
And then as the secondary integrators kicked in the picture on the inside of my helmet suddenly leapt into detailed focus. I gasped. There were the Cliffs of Grieving, tall and dark-sided in a low tide, capped with green and shimmering in a slight haze that faded as the AE-35 got the measure of Glory's air currents. Zoom in… there were settlements at the top of the cliffs, weren't there? Closer, closer, until it felt as if I, from my seat at the top of the mast, could read the inscriptions on the memorials in Imogen's Garden and look straight into the windows of the cliff-top houses. I could pan over the fields, watch the birds singing silently in the trees, see the fish surfacing in the lakes.
I locked the scope and the picture stabilised even further. The AE-35 continued tracking the motions of the planets; Glory's rotation and this world's orbital path and spin, giving me a perfectly steady view. I was sitting on top of one world gazing into the heart of a land on another. I sat as one hypnotised, entranced, ensorcelled; transfixed by beauty. I never noticed when the Blessèd sun's terminator passed over the land of Bright, casting it into darkness, nor did I pay much attention or feel any fear when my suit's O2 alarm went off. I had passed on to another world, you might say, and there seemed to be no particular reason why I should ever return.











